Book festivals: A celebration of community and literary heritage
The power of festivals
In a world where writers often work in solitude, book festivals emerge as vibrant hubs, bringing authors and readers together in a unique, energizing atmosphere. But here's where it gets controversial: for some, these events are more than just literary showcases; they're the very backbone of their careers.
Denise Mina's Aye Write journey
Denise Mina, a renowned crime author, has been a loyal participant of Glasgow's Aye Write festival since its inception. She describes the festival as the 'spine' of her career, a sentiment that underscores the profound impact such events can have on an author's journey. Mina's association with Aye Write began in 2005, and she has only missed three festivals since, solidifying her status as a staple of the event.
The Tartan Noir phenomenon
Mina rose to prominence with her Garnethill trilogy in 1998, establishing herself as a key player in the Tartan Noir genre. This genre, known for its gritty portrayal of Scottish life, has gained a dedicated following. Mina's work stands alongside other prominent writers like Ian Rankin and Val McDermid, yet she credits Aye Write with fostering a true sense of community among writers.
Community over vacuum
"I was kind of working in a vacuum at the time because I had kids," Mina reflects. "Aye Write really created a community." This sentiment highlights the festival's role in bringing writers together, fostering connections, and providing a sense of belonging.
Aye Write's revival
After a near-cancellation due to funding issues, Aye Write is back with a bang, celebrating its 20th anniversary. This year's festival features 130 events with 180 authors, including established names like Mina and emerging talents like Aimée MacDonald. Creative Scotland's funding has ensured the festival's survival, allowing new writers to experience the magic of Aye Write.
The Glasgow connection
For Mina, Aye Write holds a special place. She describes the festival as feeling very natural, an integral part of Glasgow's fabric. "It doesn't feel like a festival superimposed on the city," she says. This connection is personal for Mina, who spent her childhood moving around with her father's job in the oil industry. Returning to Glasgow in 1986, she finds a sense of home at Aye Write, a place where she feels accepted and understood.
Interacting with Glaswegians
Mina's experience with Glaswegian audiences is unique. She describes feeling like "a drunk at a funeral" in more reserved places, but in Glasgow, she finds a kindred spirit. "The audiences respond like that," she says. However, she acknowledges that Glasgow's energy might not be for everyone. "We are quite heavy going," she adds, "but if you get it, you get it."
A platform for discovery
Aye Write provides a platform for both established and emerging writers. For authors like Callum McSorley, it's a chance to interact with readers and discover new favorite books. McSorley, whose debut novel Squeaky Clean was promoted at Aye Write in 2023, says the festival's cancellation in 2024 was a shock. He emphasizes the importance of Glasgow's literary heritage and is thrilled to see the festival back.
Shining a light on local talent
Bob McDevitt, Aye Write's programmer, shares his excitement about the festival's revival. He aims to showcase Scottish authors, ensuring the festival remains rooted in Glasgow's literary scene. "Aye Write is for the people of Glasgow," he says. The festival continues until November 16, with venues ranging from The Mitchell Library to The Burrell Collection in Pollok Park.
A diverse lineup
The festival features a diverse range of authors, including Irvine Welsh, Jeanette Winterson, Sally Magnusson, Dougie Donnelly, and former first minister Nicola Sturgeon. With events spanning the city, Aye Write promises an immersive literary experience, celebrating the power of community and the rich heritage of Scottish literature.
